Looking the wrong way

It is such a challenging time within the hospital. The current round of budget cuts combined with the new framework for the NHS that is in pipeline makes Derriford Hospital a forbidding place in which to work. But then this came up: Derriford Hospital is working on its sustainability policy. How does a hospital of this size even start to become sustainable. Surely the priorities are medical not environmental? But then if you go back to the foundations of modern medicine, to Hippocrates (whose name persists in, amongst other things, the doctors’ Hippocratic Oath) and his text entitled Airs, Waters and Places you are met with this opening sentance: “Whoever wishes to investigate medicine properly should proceed thus: in the first place consider the seasons of the year…then the winds…then…the qualities of the waters…” Jump forward to now and you have the NHS, that is the Natural Health Service, part of the NHS’s website dedicated to sustainability. And so the circle turns. Maybe I am looking in the wrong direction at the moment; maybe it is outwards that I should be looking, focussing on the hospital in its environment.

Live interval

‘Birds that feed on fish; their excrement will form the beginning of an oasis in which human beings can live, until the next stream of lava smothers it all.’ Manfred Eicher in Iceland. We have the artist Ilana Halperin coming to Mezz soon, and all her work in Iceland. Looking forward to it.

Looking through others’ eyes

I am giving a talk at Plymouth University tomorrow, entitled ‘Looking through others’ eyes’. Thinking about the breast screening unit at Derriford, and how the consultant there sees so much into the scans that to me look more like the surface of the moon than something anatomical. I want to work more with this gap between the two visions.

Dancing with Quartz

I’m working on an atomic model for quartz at the moment. It is one of the constituents of the clay that lies beneath the hospital. Quartz has a very regular structure that could repeat for ever, which makes the edges interesting. What to do here? How to break the pattern? I have made the centre of the sphere scientifically accurate, the edges aesthetically accurate. Sculpting with atomic model kits is something I want to explore further. They make you work in prescribed ways – collaboration with a dancer?